Why does the wind blow?
It wipes the tracks where we have passed...
...so that no one can tell whether we still exist.
Long ago, when Warriors of Light and Darkness...
...clashed on the bridge of justice...
...and blood was spilt...
... the great Geser's heart could not bear it...
...and he stopped the battle.
But in due time, when the night is longer than the day...
...a new Great One will come.
The world will be plunged into darkness and nothing can save it...
...except the Chalk of Fate...
... which is kept in an impenetrable fortress.
And all who come for it and pass through the gates...
...perish in its endless maze.
So had it always been...
...until Tamerlane came.
NORTHERN IRAN TAMERLANE'S ARMY
Mercy!
Mercy! Have mercy!
PIease! I have done you no wrong.
Don't kiII me!
The tempIe hoIds the ChaIk. It's in there.
Long and hard have you fought to be here, TamerIane.
I wiII controI the fate of the worId.
You can't even controI your own fate.
-What shouId I write? -What is it you want?
-To Iive! -Then write that.
The tempIe hoIds the ChaIk.
You said that before.
Don't kiII me. Don't--
''From that time on, TamerIane made no more mistakes. . .
... that he couId not correct."
You knew that?
Trainee Nazarova, just do me a favor and put the book away.
TAMERLANE
CouId it be the ChaIk exists? Anything you want to change?
WouId you move the knee away?
Why do you aIways taIk to me Iike I did something wrong?
That's enough. Just move your knee.
I'm starving.
WeII, then. . .
. . .can I take you out to dinner?
Yeah? Like where?
-Here, Chinese. -Chinese?
Sounds good. Tomorrow at 6. No, 7.
-Yes? -Yeah.
AII right, we wiII then.
-If nothing happens. -That goes without saying.
Is anyone out there near the Expo Center?
Gorodetsky. I'm about five minutes away.
Report of a human being attacked.
Another old woman. Same pattern as before.
Stabbed with a large needle. Attacked from behind.
The needle was placed so it entered under the victim 's shoulder.
What's happening?
The attacker is sucking the victim 's energy.
No ID on this one. Be careful. He's very dangerous.
Sorry. Can't go there, I'm with a trainee.
Read you. 1 485, on our way.
Thanks, Anton. I knew you wouldn 't let me down.
Someone reaIIy needs to deaI with those Dark Ones.
Do not go into the GIoom without me.
Move sIowIy in there and breathe deepIy.
And the second IeveI is out of bounds.
-What's in there? -Don't know. Never been there.
They say mosquitoes.
-Even mosquitoes don't Iive there. -Boris Ivanovich said they did.
WeII, of course, if he said so.
OnIy use the fIashIight for Iighting, okay?
-What's it do? -Don't touch this.
Right there!
Sveta.
Sveta!
What the heII do you think you're doing?
Sveta!
-Who said you couId get out of the truck? -Stop yeIIing at me.
He hurt me.
My shouIder hurts me.
He stuck me under the shouIder and then. . . .
Then I feII over and--
Stop, you bastard!
-HoId it! Freeze! -Sveta!
-Stop!
Easy, Grandma. Just hoId on one second. Okay? Easy. HoId on.
-They aII got away. -Come on, out of the way!
Come back!
Move it, make way!
Sveta!
Stop!
Freeze! Don't move!
Hey!
Don't!
Stop!
No!
Come back!
Behind you!
Hurry now!
Behind you!
Behind--
HoId it!
Hey!
Stop!
Don't shoot!
Oh, God.
-What's with this insubordination, huh? -Why did you stop me?
I aImost had him.
I'II deaI with him, understand?
How do you know that one?
-I just do. -But he's a Dark One.
Dark, Light, who cares?
How did this happen to you?
Just a Iot of nice peopIe in the worId.
As Iong as this ring is on you, you wiII do as I say.
-It hurts. -And is that bad?
TiII death do us part.
-Sign here, pIease. -What is this?
-A contract. -Another one?
WeII, obviousIy, you haven't been abIe to sign one yet.
-Haven't signed any with you. -It's for the Iease of this haII.
-And the cost? -A thousand, per hour.
For this?
You must have no shame at aII.
-These are the times we Iive in. -Not for Iong.
ZavuIon.
Yegor?
What happened to you?
You said to me that onIy Great Ones can go into the second IeveI of GIoom.
Give me your weapon! Give it to me!
A few minutes ago, near the Expo subway, a murder was prevented.
A Dark One attacked a human in full public view.
-Did you make an arrest? -No, we didn 't.
-No case, no triaI. -We've recovered some evidence.
What kind?
Now you've done it.
-Who the heII was she? -Rogova, do you not teII your students. . .
. . .that committing murder happens to be a crime now?
They won't be abIe to prove it.
Where's your hat?
This is it? The best evidence you've got?
Yeah.
What'd he Iook Iike?
-Don't remember. No. -You don't remember?
Okay, Iet's give it to the Iab and Iet them worry.
Anton, Iet me have your car keys, wiII you?
Forty-nine years since I rode the subway.
-Yeah, happy to give them to you. -I got aII day.
Here.
And how are you doing, Sveta? You feeIing okay?
You need to get something to eat.
Let's find a restaurant.
Why didn't you teII Semyon you knew the kid?
So now what do we do?
Where are you going?
If this damn hat's a probIem, why don't we just steaI it, huh?
Oh, what's that? Hobo steaks again?
Of course not. WiIIing donors.
I have a smaII request.
My son, he just got his first bIood Iicense in the maiI.
-CongratuIations. -He doesn't drink.
By now they've aIready cIosed the Night Watch Iab.
Where do they store the evidence?
In the archive.
You can have untiI the morning.
-How do you want me to get there? -QuickIy.
Kostya was out, so I signed for it.
But I didn't know. Is there a way we can take care of this probIem?
-Your son is not a naturaI Other? -But--
No, he bit the kid himseIf.
Because he had pneumonia! In both Iungs!
Guess Mom had pneumonia too.
You bitch!
I'm sorry.
It happens.
He needs to wait a bit. You can do that.
Yeah? I'II do anything.
Anything you need.
Anything?
That wouId be iIIegaI.
You get that?
Get what? The Night Watch archive. How am I getting the hat?
How? How?
WeII, Iet's try asking the dad.
AII right, food foIks! We need something for a growing boy.
AII right. On the doubIe! HustIe it up now!
Here. Bottoms up.
Drink it.
-Yeah? -Mr. Gorodetsky.
I'm Yegor's teacher, Galina Rogova. Your son lost his hat, and I--
Sorry, wrong number.
You see hats Iike that aII over Moscow.
WeII done. You'II go far.
-Diving into the second-IeveI GIoom. -That's not much.
I couIdn't push in there. BareIy got my hand in.
Can we get a menu so we can get some food?
You ordered aIready.
Don't remember.
Good.
Why are you so dirty?
You're worse than me.
It's Boris Ivanovich.
WeII, Boris Ivanovich!
So, what are you doing?
We are just sitting here waiting for our dumpIings.
Don't you have a Iecture?
Do I? I forgot.
Not tonight, then.
Tomorrow. Seven o'cIock.
You understand that engaging in informaI reIations with trainees is forbidden.
-WeII, it's a IittIe Iate for that, isn't it? -Here you go.
Thank you.
I haven't seen you for a whiIe.
Everything going weII for you?
It aII goes just as it shouId.
See you Iater, Zoar.
Anton.
She'II soon be a Great One.
There is no room for two Great Ones in this city.
You're taIking about me?
No, Anton. I mean your son.
If Yegor and Sveta cross paths. . .
. . .the worId wiII be Iost to darkness.
Look at you. You are a Light One drinking dark beer.
ReaI nice taIk, you know?
Go ahead. Eat, Yegor, eat. Tomorrow's going to be a big day.
You're going to need your strength.
What's going on tomorrow?
We'II be seeing a Iot of guests.
Granny Darya is being reIeased, so she'II be there with Mashenka.
There wiII be presents.
So anything you might Iike?
-It's earIy for this. -I won't go.
We'II teach you everything.
And we'II have to force you.
''On his deathbed, Tamerlane told his servants...
... to bury him with his fist clenched.
His order was carried out. ''
These dumpIings to go, Zoar.
I'm going home.
-These are manti. -Yeah, whatever.
The Lives of Remarkable People.
A remarkabIe Iife I've got, boy.
A son who is Dark and unhappy and a girIfriend with more taIent than me.
TamerIane had troubIe with his son.
In those days, just how bad couId his probIems have been?
He was kiIIed.
You shouIdn't drink anymore, Anton...
... or you'II reaIIy run into troubIe.
You have a heart of goId, Zoar.
-What do I owe you? -A hundred.
Here.
You were warned.
''The location of Tamerlane's burial site long remained a mystery.
In 194 1, under Professor Gerasimov...
...an expedition was organized and went to Samarkand.
But the war interfered...
...and all the records of the expedition were scattered...
...in various archives and research centers dedicated to Central Asia. ''
''Your house is connected." What is this nonsense?
Listen, Gorodetsky. It seems your boy's in troubIe.
-They'II disintegrate him. -I toId you, wrong number.
What a sad excuse for a father.
It's Yegor's birthday tomorrow. Did you remember that, huh?
-Get a present. -Oh, a present?
-A hat. -What kind of hat?
Like this one.
You know how many there are in Moscow Iike this?
I absoIuteIy can't heIp you.
-Can't or won't? -Yeah.
-I'II write to the Inquisition. -Oh, pIease. Write who you Iike.
Drop dead, wiII you?
Today we face an extremely strong rival. The entire nation...
...is watching this match.
Dangerous. There's the strike!
And Ovchinnikov makes an amazing save!
Our team makes an immediate counter offense. Long pass.
And it--
Hey! Hey, come on! Hey!
The kick is good. Goal!
Two timeouts.
That's fifteen minutes. Then they take. . .
ARCHIVE
. . .the penaIty kicks.
So we've changed the score.
The balance has shifted, and the difference is a dramatic one.
-Yes! Strike! -GoaI! Yes!
This is the turning point.
The main thing now is not to go back to defense, but attack...
...and attack with great care.
GoaI!
CentraI Asia speciaI vauIt
ChaIk of Fate
''Request permission for a Samarkand expedition to open the tomb in the...
... Gur-Emir Mausoleum, where according to our research Tamerlane is buried...
... with the Chalk of Fate in his right hand.
Geser. June 19, 194 1. Denied. ''
Once again our team attacks. The strike!
It's in! It's in! It's a 4-2 victory, but the price it cost...
... was the nerves of not only the players but you and me as well.
See you later. Take care.
Oh, you're good.
He gave me such a Iook. It scared the heII out of me.
-You mean no one's covering you? -I'm aIone.
-Want me to come over? -I'II be aII right.
You be careful, okay?
Hello? Galya? What is it?
Sorry. I'm just so exhausted.
-CaII me Iater? -You call me.
Yeah. I need to get home.
Galina!
Who's there?
Enough with the jokes. Who is this?
-A judge. -Yes?
-And who wouId be on triaI? -You are.
This is 741 . Forensic team is on the scene.
Paramedics are gone. They Ieft a report.
GaIya! GaIya! GaIya! Let me through! She's my daughter!
I'm sorry, but this area is cIosed. The team is working.
There are no wounds in evidence. Why wouId you think it's a homicide?
We know who kiIIed the woman.
Don't you dare hang up on me! Do you understand?
-Quit arguing. Go get me ZavuIon! -He's unavailable.
-Did you teII him it was me? -I did.
-Who's with him? -He can't be disturbed.
You can't go in there! No!
I did what you asked. You said you wouId heIp.
Go in to work. I'II teII you what to do next tonight.
-HeIIo. -Don't you worry about a thing.
Ever heard of knocking? You might try it.
Oh, weII, Iook who's here.
For some reason, I can't get ahoId of your friend, what's her name.
Rogova is dead.
Bastard!
You know who did it?
The man's gone totaIIy insane.
-GaIina met with Gorodetsky. -Evidence is what we need to prove it.
-You think--? -Now get some!
-AII right, I-- -Go now!
Can I take the wheeIs?
GORSVET - LIGHT AND POWER COMPANY
ChaIk of Fate
Samarkand TamerIane's tomb
Samarkand SeIect
User name: Anton
Enter
ORDER COMPLETE
YOU'vE GOT NEW MAIL FROM ZAVULON
''Thanks. You have helped your son and the rest of us.
Destroy the evidence right away. And don 't forget, it's Yegor's birthday. ''
S YSTEM ERROR
Ready?
Enough. What's the deaI, have a bad night?
Are my eyes red?
-Come on, we are going to see Geser. -Why?
Come on, come on.
There is an infIux of Dark Ones in the city.
Checking by districts, we're done in Dimitrovka, YarosIavka and FiIi.
But, Bibirevo, we haven't-- We haven't gotten...
-Start. -. . .a start yet. No start yet.
We simpIy don't have enough men to cover it.
How's it going?
There are just too many of these Dark Ones gathering.
They are getting ready for something big.
IIya, do you remember GaIina Rogova?
-Rogova? -Yes, Rogova.
My opinion is she's dangerous.
-She couId shatter the truce. -No, not anymore.
This morning GaIina Rogova was found dead.
In the haIIway of her apartment.
There were no wounds anywhere.
Apparent cause of death: TotaI removaI of Iife force.
AII right, young Iady, use care now.
What's she caIIed?
Mashenka.
Masha Rogova.
This man famiIiar?
No.
If you wiII aIIow it, I am going to taIk with Masha.
-HeIIo, Mashenka. -Hi.
Oh, that's a nice turtIe.
He's aImost Iike a reaI one.
-Do you know who this is? -No.
Where is your Mom?
My mama is gone.
She went on a Iong trip.
Your mama didn't go anywhere, honey.
Your mama is dead.
What do you mean, dead?
She's dead and gone.
Grandma! Grandma!
What's the matter? What is it, dear?
Grandma, Mama is dead. Mama is dead and gone forever.
Oh, my poor darIing angeI. Where did you hear that, huh?
A Iady toId me it was true.
What Iady? There's no one here.
Oh, my dear, it was your mama, wasn't it?
She came to say goodbye.
The bottom Iine is that we're being accused...
. . .because a Light Other is acting up in Moscow.
A Light Other who either doesn't know that there is a truce...
. . .or worse, is ignoring it.
This is the state we find ourseIves in.
-Have a question? -No.
Thank you. You're aII free to go except for Semyon, OIga. . .
. . .IIya. . .
. . .and Anton.
Thank you for the compIiment, Boris Ivanovich.
I have to conduct an inside investigation.
Write your reports.
Where you were that night and. . .
. . .whether your aIibis can be confirmed or not.
Can I have the baII?
Come on.
-What is your major? -BioIogy.
Not drinking human bIood, is that what you study?
You're reaIIy kind of cute.
Shame you're a vampire. We might have been friends.
So you think we won't?
Okay, maybe.
Easy there. TeII me a story.
Your friend next door, he around IateIy?
Why do you say he's my friend?
Hey, I reaIIy can't judge you.
You can do whatever you want to do. You're a Dark Other.
You couId even make friends with Light Ones.
Thank you, miss.
Your humor's interesting.
Last night, GaIina Rogova was kiIIed at her home.
What's that got to do with me?
Her daughter is 5 years oId.
I saw her Iast night taIking to Gorodetsky.
Thank you.
Boris Moiseev
What have you got?
Last night she met Gorodetsky.
-How did you find that out? -A witness.
Vampire, junior.
-How did you know that? -Why don't you come over? I miss you.
Send Gorodetsky in.
When they kiIIed Rogova, Gorodetsky was in the archive.
Yes.
So he has an aIibi.
But he won't confess to it, and quite right.
And so we'II have no choice but to turn him over to the Dark Ones.
What wiII they do with him?
I don't know, but they won't get him aIive.
You've thought of something?
Yes.
OIga, have you seen the boss?
Sit down.
I'm sorry, OIga, I have to do this.
-What? -I know you do.
WeII, I don't. But the probIem--
Are you compIeteIy out of your mind?
I'm sorry.
Anton, you never wouId've agreed to it.
Anton.
It'II be aII right.
-I need Geser for a minute. -Get Iost, you and Geser.
Anton, no one gave you permission to Ieave.
-What do we do with the voice? -Not a probIem.
-Give it a try. Yes? -Yes?
-Yes? Great. Now I'm a tranny. -You don't Iike it?
How do you waIk?
Remember, I don't smoke. You've smudged your makeup aIready.
I'II manage.
Pay attention. Nothing in your pockets. That's why you carry a bag.
Another thing. You're a woman now. Keep your back straight.
-Then why is my ass wiggIing? -RefIex reactions.
-You! -Easy, easy, easy.
-Boris Ivanovich. -HeIIo. Hi.
I'II stop by Iater. Later.
-How Iong do I do this? -Two or three days. . .
. . .untiI we find the kiIIer.
So where do I stay?
Work something out. CaII one of the guys.
Hey, Iook, Semyon. Semyon. Hey, can I crash with you?
-Okay. Starting? -Today.
-Forget it. -Boris.
-Sorry. -We couId try SvetIana.
-Good idea. -What do I say?
Say that Boris Ivanovich has a snoring probIem.
HoId on! Do I snore?
To sum up. . .
. . .you have aII now Iearned the technique. . .
. . .of detecting objects hidden from us behind a barrier.
SvetIana. Show us the miracIe of introscopy.
TeII us who is at the door.
It's Anton Gorodetsky.
HeIIo.
Excuse the interruption.
PIease, OIga, not at aII. We're priviIeged that you join us.
-Thank you. -We're studying the basics of introscopy.
Since you're here, maybe you'II show us a demonstration?
-Just a smaII one. -Timing's not good now.
Just something. Anything. It wouId mean a great deaI to us.
I'm here for SvetIana.
You smoke now?
Poor SvetIana. What's she going to do with him now?
Thank you.
Let's go.
-Pretty soon, Anton shouId be here. -He's not coming.
-How do you know? -He got stuck somewhere.
We were supposed to meet and go to a restaurant.
No time for that now. I'II teII you why Iater.
I have a question for you.
Yeah, ask me.
How much do you Iike Anton?
You Iike him?
He's a IittIe strange sometimes.
As if he were afraid of me.
Not as a woman, you know.
And not so much afraid.
-He just. . . . -Maintains his distance?
Yeah. Something Iike that.
No surprise there. You're destined to become...
... a great witch, and he's category-three, at a stretch.
I don't care what his category is. It's aII the same to me as a woman.
I Iove him.
-CarefuI there. -You be carefuI. You're insane!
Look, I know it's none of my business. . .
. . .but when you take a Iook at it, it's obvious.
I think he Ioves you very, very much. A Iot! He's just afraid.
Afraid that there'II come a time...
... when you'II be too far away for anything to happen!
Yes, it's possibIe. Someday something couId happen, but right now I'm here!
Can't you see that time is now?
It's now.
Ladies, you aII right?
Stay right where you are. We're on our way.
Then that night I caIIed him. Come in.
He wasn't home.
I caIIed his mobiIe, and he hung up on me.
Not important.
So maybe he was busy.
Or maybe he has someone.
He hasn't had anyone for 1 2 years.
ReaIIy? Then he's got some kind of compIex.
BiocompIex.
''Amazing naturaI way to enhance aII of your heaIth characteristics. . .
-... and sex drive." -Here.
Thanks.
Why are you Iooking at me?
I'm going to have a shower. WouId you put on the kettIe?
Why hasn't he had a girIfriend for 1 2 years?
Strange.
ReaIIy, why?
Sveta, Iisten.
-Oh, God, how can I possibIy expIain it? -OIga.
-Sometimes Iife throws a curve. . . -OIga.
-. . .then everything is changed forever. -OIga!
-Why forever? -OIga!
Bring me a toweI, pIease. They're in the cupboard.
-Not OIga. -What?
What did you say? I can't hear you.
-What are you doing? -Not OIga. Anton. I Iove you.
What is it?
What are you doing?
Not OIga. Anton.
They switched our bodies.
How dare you do this, you bastard?!
What made you think you couId do this to me?!
I want you out, you hear? Out of my house!
Go away! How couId you take advantage of me Iike this?!
How dare you?!
Are you crazy?! Get out!
Get out of here now!
He couldn 't get it, Sergei Federov.
He has the puck, pass, but he misses.
No, no, no! Come on, come on!
Our team 's taking risks.
Come on, come on!
Go, go! No!
You morons.
What are they doing? They're not thinking.
You shouId show this body a IittIe care.
What am I doing that's bad? I'm making sure it gets food.
Each ounce of extra weight on her, she'II remove a fuII pound of fIesh from you.
That Iock doesn't work.
Gonna say hi?
Hi there, vampy.
Yes, yes, yes!
That was a game!
Amazing how men wiII think of anything not to keep a promise.
What do you mean?
We made serious pIans to go to a restaurant.
I'm not aIIowed.
I need your son.
Kostya!
Hi there, Kostya.
Yeah, hi.
Come.
Who is this?
Papa.
Have you seen Gorodetsky? Because we can't find him.
Too bad.
We think he's switched bodies with...
. . .a young Iady.
It's reaIIy amazing what peopIe get up to.
To you. May you get out of this mess as soon as possibIe.
Look, a Dark One.
What kind of Dark is he?
That boy at the Expo Center, he means a Iot to you, doesn't he?
You heIp him so much.
Are you trying to break me down?
Once again I see what you are. An idiot.
Off to suck someone's bIood...
. . .and say a few incantations.
What do you want?
WouId you know him in a different body?
Don't know. Haven't tried it.
Mine, for exampIe.
Are you married?
Yeah. And this car is unreaI.
I'm going.
-I need a minute. -Don't mix up the doors.
The one with the boy's picture on it? Not for you.
Yeah, yeah, yeah.
Damn it.
They set me up.
Good work, Anton. Now they have the proof they want.
-I didn't do it. It's a coincidence. -It's not a coincidence. It's a frame-up.
But Anton wasn't there.
You shouIdn't have Ieft the house. You shouIdn't have been there.
Now they have the opportunity to do whatever they want with you.
Why aren't we moving?
-PIaying war now? -ZavuIon!
I'm Iistening, ZavuIon.
I am bringing a formaI charge of murder. . .
. . .against the Night Watch agent. . .
. . .Anton Gorodetsky.
Are you?
-WeII, maybe we can find him. -We'II take him right now.
He's not here.
The one we accuse of committing murder. . .
. . .is in the body of that young woman.
What are you doing? What are you doing?
You don't have the right to interfere.
Stop this! Why aren't you doing anything?
Why? Why aren't you doing anything?
No!
-No! -That's enough!
Listen to me, we cannot interfere.
If you break the truce, they'II kiII you! It wiII achieve nothing.
-Line 22. -Why is the troIIey here?
You have to stop this!
Step on it. Step on it! Come on!
Let's go!
You're an actor, right?
Boris Ivanovich Geser
If you can't prove before dawn...
. . .that Gorodetsky is innocent in regard to the deaths of the Dark Ones. . .
. . .providing suitabIe evidence. . .
. . .we wiII issue a warrant. . .
. . .for his eIimination.
Day Watch has aIready fiIed the proceduraI request.
Here is a copy.
We won't turn him over to you.
I'm writing an officiaI note of protest.
If you refuse to compIy with this order. . .
. . .the resuIt wiII be war.
-This is a provocation by the Day Watch. -The Supreme Powers. . .
. . .wiII not be on your side in this.
The charges brought by the Day Watch are quite reaI.
Your protest wiII be turned down.
GORSVET - SAMARKAND
-HeIIo. -AIisher, it's Gorodetsky in Moscow.
-Anton, friend! How are you? -Hey.
Okay. I'm going to be flying in soon and I need a way to get to...
... Tamerlane's tomb without anyone knowing.
Will you do it for me?
-What? -I wasn't taIking to you.
-Can you help me? -Of course. For Gorodetsky, it's do or die.
Just come in, we'II fix it aII for you. Say hi to Semyon.
ZAVULON
ZavuIon, there is a Gorodetsky coming here.
Gorodetsky going to Samarkand. Thank you, Makhmud.
So I'm fIying to Samarkand?
HoId on.
His pIane, what if it feII out of the sky?
What do you mean?
We shouId Iet the parrot fIy.
Okay.
-There. -And this is?
His ride, of course.
To the airport.
ANTON
-Yes? -Olga?
How are you?
Bad. We gotta switch back.
I'll meet you at the airport in a half an hour.
-Let's waIk. -Let's take the Iift.
-My body. -Going somepIace?
-I need it. -My body's not good enough for you?
Don't want it to get messed up.
In what way?
Excuse us.
You can stop staring now.
We shouId waIk.
-What's this? -A beIt.
No, it's not. It's a weapon.
Purpose of visit?
To study monuments in the ancient Uzbek capitaI. Listen. . .
-... I'm running Iate for my fIight. -Why Samarkand?
-Return fIight's in the morning. -Right. Yeah, yeah.
How many monuments can you see in onIy one night?
One.
HoId on.
No daydreaming on duty!
-FIight to Samarkand? -Yes.
-Thank you. -Anton, where are you off to?
-Seats, pIease. We're Ieaving. -Sure, one minute.
-PIease take your seat now. -Okay, okay, I'm sitting.
-You have any of those mints? -I've got them. Sit down.
Great. Thanks a Iot.
-I'm sticking with you on this. -Just buckIe in, okay?
Tower, come in. This is 593. We are ready for takeoff.
593, copy. Use runway two. Conditions are good.
Take off.
If you open the tomb, it'II be war. And you wiII not make it out.
I'II be carefuI, then, okay?
Just stick my pinky in.
No, that won't fIy.
-What was that? -Under controI.
Go, pIease, now.
Proceeding.
Nope. Won't do.
593! What is it?!
Conditions seem normal, but no can do.
Listen here!
Listen, you aII want to fIy to Samarkand, right?
Yes! Yes!
They aII want to go. Understand?
Off we go.
-Losing runway. Yes or no? -WheeIs up.
We're not gonna make it!
We need more thrust!
Get her nose up! PuII her up!